Graphic Design
Family Connects
Family Connects, part of the Maternal and Child Health program in Benton County, came to us for several graphic design needs. One of our first projects together was their appointment card.
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This card is sized as a business card so it can be inserted into the slot in the pocket of an informational folder new parents receive. The card is used for two things; to show the faces of the nurses that work within the program, and to inform the family of the date, nurse, and contact for that nurse that will visit their home. It was our intention with this design to establish trust immediately by showing the face of the nurse they would soon welcome into their home.
Graphic Designer
Allison

Flinn Law Brand Style Guide
When Flinn Law Northwest came to us as a new firm, they wanted to ensure their brand stayed consistent across all channels, print and digital. A brand style guide does just that.
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As the firm expands to new locations or has team members who make marketing materials on their behalf, the brand style guide will outline the do’s and don’ts for their brand, and detail the approved usage of logos, fonts, and colors. This style guide can be shared internally or externally to maintain the consistency they desire.
Graphic Designer
Corey
Keys for the People
After creating the logo for this annual BIPOC-centered housing festival, event hosts requested a full marketing kit. The kit would include everything they need to promote the event and set up a table at the festival each year.
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Included in their marketing kit were yard signs, an A–frame sign, a retractable banner, and a tablecloth. We used the color palette chosen when designing their logo, then designed a custom motif and textured background to accentuate the signage. Those branded elements can be seen on all materials to create brand cohesiveness. Because many of the individuals who attend this festival are Spanish-speaking, we also designed some of these materials in Spanish.
Graphic Designer
Corey
Color Fun
When we have branding projects, it often requires deciding on what colors will make the brand palette and why. In these instances, we listen to the client’s vision and choose a starting point.
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In these examples, the client used words like “spice, zest, flavor, and punch” when describing the vibe of tones they imagined. When thinking about how they described their potential palette, we realized each of those terms are all related to food. We then used images of food that fit into those categories to pull in colors for the palettes. This process is similar (with different imagery for inspiration) but is a good representation of how we help choose brand colors.
Graphic Designer
Allison
CSC Annual Impact Report
Community Services Consortium creates an annual report each year, showing their impact on the community. For the second year, we partnered with them to visually tell their story similar to the style of an infographic.
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For this report, we had a lot of data collection involved, along with organizing that data and deciding what to highlight. As we chose what to showcase, we grouped it by program or service. We designed the report as a template that allows us to update the data points each year, swapping out imagery as needed.
Graphic Designer
Allison
CSC Community Graphic
Community Services Consortium wanted a graphic that illustrated their impact on our communities. They wanted the illustration to use their brand colors and to depict characters from all walks of life, with varying abilities.
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Since their programs run deep and take people down many paths, we used the path you see to guide you around the community to the areas that show specific services. The different areas represent their main programs, with a waysign that indicates that program. This illustration took almost a year to complete. Every program in their agency needed to be involved in and approve the imagery for their section. It truly took a village to create the final version!
Creative Director
Allison
Graphic Designer
Cole
Delta Assault Tee
Torch Craft Marine, a mini jet boat builder, organized an event in California in which mini jet boats would unite for a power-packed adventure. After the event, they were inspired to create a tee shirt as memorabilia for the crew that attended.
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The word cloud you see mimics the shape of the Torch Craft Marine logo (also designed by us). We thought using that branded shape as the shell for the words would be a clever connection to their brand. The words were submitted by the attendees who said that these phrases were repeated throughout the five day event, and became a bit of a running joke to them. The colors chosen represent the colors of the four mini jet boats that were in attendance as they pursued splash and speed in Discovery Bay.
Creative Director
Allison
Graphic Designer
Cole
Sherwood Apothecary Label
Belle came to us to design a label for her new calming elixir. Foxes, ferns, vines, and Sherwood Forest were our inspiration. As an herbalist, Belle dabbles in the realm of botanical blends that provide alternatives to traditional medicines, all while preserving ancient knowledge about those remedies. We knew with this project that we needed to take an earthy, Zen approach to the design.
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The color palette uses tones you would expect to find in a forest. The font we chose reflects an old-timey vibe to capture the essence of ancient wisdom. To stay true to the “magical healing forest” theme Belle wanted, we used various botanicals inspired by the ingredients in her elixir; the flower that wraps around the name is Blue Vervain, the main ingredient in her product. Throughout the design, we kept in mind that the design needed to be detailed enough but also scale down well because the bottle would be just 4 inches tall.
Graphic Designer
Cole
Creative Director
Allison
Blakesley Creek Farm Print Ad
Lois first asked us to create an Etsy site to sell her product. Over the last two years, she had been sourcing sheep wool samples from around the world, 140 to be exact. With them, she created her Sheep Breed Study Box which would provide felters and fiber artists with roving samples from 131 different kinds of sheep.
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Graphic Designer
Allison
Corvallis Community Acupuncture trifold
Leyna has worked with Lamplight for various projects, one of which was to create a new trifold brochure. The one she had was outdated and did not use her new brand color palette, also created by us.
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Graphic Designer
Allison
Hughes Excavation Trifold and Postcard
Curtis at Hughes Excavation came to us to create new branded materials after renaming the business, formally E.D. Hughes Excavating. Along with their new website, they needed several printed materials redesigned.
The trifold brochure we designed and created content for, was to be used as a leave-behind in the offices of their partners and supporters. The content we used were snippets from what was created when writing content for their website. We love when a project has a copywriting component so we can reuse and adapt content in various places.
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Graphic Designer
Cole
Creative Director
Allison
Community Services Consortium trifolds
As a long-time client, we’ve helped CSC streamline their brand image and marketing materials over the last two years. Part of this work has included redesigning their program brochures so that they all share consistent branded elements and follow their brand guidelines, also outlined during our work together.
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Graphic Designer
Allison
Helen Higgins Signage + Logo
Helen came to us as she began her campaign for Benton County Commissioner. She needed all her campaign materials: logo, yard signs, banners, postcards, and branded remit envelopes. She even needed new photos to update her headshots for the voters’ pamphlet.
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Graphic Designer
Cole
Creative Director
Allison
RETA Conference Program
The Refrigerating Engineers and Technicians Association (RETA), came to us to design promotional materials for their annual conference. They would need us to design and layout a 50 page program that included a schedule of workshops and events, floor plans and exhibit booth information, awards, sponsor ads, and more.
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The theme of the event was Roaring Twenties so we wanted the design of the program to reflect an Art Deco style to pay homage to that era. All the colors used in the program were also popular in the 1920s to stay true to the theme. We created a custom background to be used throughout the program. That custom motif incorporated the gear in the official RETA logo, tying in their brand to this special event.
Graphic Designer
Cole
Creative Director
Allison
Go Giddy Pops T-shirts
Eve started her business after making low sugar, fruit-based popsicles for her son. Gaining popularity with parents and kids alike, she began to sell them at farmers markets and retail locations. She came to us to revamp her logo, wanting to update her company t-shirts.
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Graphic Designer
Cole
Brent Boatman Book
Brent came to us as a first-time author with raw chapters of this book written. He needed guidance with organizing them, editing them, and getting the book published on Amazon. As a UFOlogist, he can telecommunicate with UFOs and was ready to share his extraordinary experiences in his memoir.
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Copyeditor
Allison
Wisewood Energy
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Content
Allison
Design
Cole
Visit Corvallis
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Content
Allison
Design
Cole
Community Services Consortium
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To achieve this goal, we needed to sift through a lot of information to pull out just enough to summarize each program, while also capturing the agency’s essence with a few factoids in between. The imagery was important to represent all programs, and took a few rounds of feedback to land on just the right ones to ensure the vibe was inclusive agency-wide.
Content
Allison
Design
Cole
Moore Family Foods Label
This startup came to us needing to develop a food label for their seed butter. They were pitching to local grocery stores to get their product on shelves and needed a polished appearance for their packaging.
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We designed the label to incorporate their logo, chose a color palette to convey it’s organic ingredients, and added the nutrition facts to include all FDA required elements. The container they were going to use was circular and tapered, so it was larger at the top than the bottom. This meant we needed to make the label a special U-shape rather than rectangular. This would allow the label to wrap the width of the container without leaving creases caused by wrapping something with a straight-edge around a circular object.
Graphic Designer
Cole
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